Poetry from the #AWW14 team

PIECES FROM THE AWW14 TEAM, Poetry
Africa, African Women Writers

The AWW14

As I have mentioned before, the FEMRITE/AWDF women’s writing workshop in July this year was a life-changing experience. Look at these women!

In the spirit of promoting new and exciting voices, I’ll be dedicating a post a week to sharing some of their writing with you. Trust me, you’ll thank me.

This week, I’ll be focussing on poetry they’ve shared. Click on some of the links below. Keep in mind that all of these poems have been written since 1 August 2014. If this doesn’t encourage you to join a writing circle and keep motivated, I don’t know what will.

Kechi Nomu (Nigeria) – Other Valuable Angles and Urban mornings for people who have nowhere to go

Tendai Garwe (Zimbabwe) – The Rain has brought a curse and They are telling lies

Ritah Atwonyeire (Uganda) – I am not your punching bag

Comfort Mussa (Cameroon) – Dawn and Shut up

Florence Khaxas (Namibia) – It’s my write

Jen Thorpe (aka me 🙂 ) (South Africa) – The in-between, #Rapists is now trending in SA, Order in the Mother City, Feminist Biko

 

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Book 2: Mamle Wolo – The Kaya Girl

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Mamle Wolo, Mamle Kabu, The Kaya-Girl, Ghana, Accra

The Kaya-Girl is the first young adult fiction I have read since I was a young adult (which seems a very long time ago). I often think about what young women are reading about, and how it influences their ideas of their world and their own power, but I haven’t engaged much with what’s out there at the moment.

Mamle Wolo was one of the facilitators for the AWW14 workshop in Uganda this year and was one of the people who made me really excited to visit Ghana, a country I knew hardly anything about. She is a great facilitator and a great writer, with lots of advice on technique. I was in her discussion group where we each got to write a little bit and get some feedback, and it was a wonderful experience.

I bought a copy of her award winning book (it won the Burt Award for African Literature) whilst in Uganda and it is the second book I read for this project. It tells the story of Abena and Faiza, two similar girls from two very different backgrounds. They meet whilst Abena is on school holidays and is staying with her aunty in Accra. Her aunty has a shop in the Makola market which looks like an incredible place.

Faiza is a Kaya girl, who works at the market carrying people’s purchases for them. They are from two startlingly different worlds – rich/poor, educated/uneducated, privileged/underprivileged – and yet they manage to connect on a level that goes beyond words and past experiences. I loved how Mamle captured the innocence of both of them, and how they learn so much from one another. The market itself is another character in the book, making you keenly aware of space and place. I really want to go there and see it!

One of the main things I think about when I think about writing a young adult novel is how I’ll get the ideas I want to get across without becoming didactic. The Kaya-Girl does this using such clever devices such as an internet search, a talk with a father, and the use of a love-interest to reflect back onto the main characters.

If you are a parent and you want your child to learn about privilege, love, and friendship, then I’d recommend getting this book for them. I think it would be a great book to read to your child or teen, because it would spark so much dialogue.

I really enjoyed it and it certainly made me curious to find out even more about Ghana (I am so so keen to go there) and to read more young adult novels. Mamle also writes adult novels under the name Mamle Kabu.

Find her on twitter here and like her on Facebook here

Book 1: Yewande Omotoso, Bom Boy

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I was privileged to attend the AWW14 African Women’s Creative Non-Fiction Writing Workshop hosted by the AWDF and FEMRITE in July 2014. The workshop lasted 10 days and was facilitated by Yewande Omotoso and Mamle Kabu. My fellow participants were amazing (read more about them here) and the facilitation was excellent.

I had known about Bom Boy for a number of years because it was published by the same publisher that I worked with in publishing the My First Time Collection of Women’s Stories of Sex and Sexuality – Modjaji Books. I also had met Yewande before and found her to be a great person but I had simply never gotten around to reading her book (excuses excuses!) When I heard she’d be facilitating the workshop I was excited because I knew that she had been nominated for numerous prizes (the Sunday Times Literary Awards 2012 for the Fiction Prize, the Etisalat Prize for Literature in 2013) and won others (SALA prize for English First-Time Published Author 2012) so I was ready to receive all the wisdom and tips she was going to give out.

On the first day of the workshop Yewande told us about her experience completing the Masters in Creative Writing at UCT. Having just completed the programme myself, I was really interested to get her take on it, and she did describe it in ways that I agreed with. It was a useful opportunity to meet other writers, and it was a very expensive way to force yourself to write a book. She also said that when she was finished her book, she didn’t even wait until graduation to send it out to a publisher (thank god she did!). She was brave and bold. She inspired me from her very first facilitation session, she shared some of her amazing writing, and she was totally practical about the writing process. If you get a chance to hear Yewande speak, you should take that chance straight away.

I bought Bom Boy at the workshop, got the famous signature, and it seemed natural that Yewande’s book would be the first one I’d read for my project. Bom Boy tells the story of Leke (pronounced Lay-kay) who is a young man living in Cape Town with a few strange habits and phobias. He is an instantly interesting character because he seems both deeply in connection with, and deeply surprised by the world around him. His story is complex – a South African mother who he doesn’t know and a Nigerian father who writes him letters to tell him about a family curse. In a sort of dream-like fashion you are swept along with Leke as he tries to find a grip on life, and perhaps even find himself. The characters are compelling – you want to try and understand why they do the things they do.

Bom Boy made me think a lot about destiny and the (in)escapability of history. It got me thinking about writing craft and how to tell a narrative from different perspectives, and tools that you could use to do this. It allowed the reader to travel through different time zones without the story line becoming overly complicated – I suppose this was probably because each character was so clear in my mind that I didn’t ever get confused about who was talking. Yewande certainly knows how to write dialogue.

As the cover blurb describes it “Bom Boy is a well-crafted and complex narrative written with a sensitive understanding of both the smallness and magnitude of a single life.” I was so chuffed at my first book for this project because it really made me excited to keep reading, and to keep writing.

You can follow Yewande Omotoso on twitter @yomotoso and like her Facebook page here.